Flag Counter Hit tâi Mí-mà 真空管錄音機

Tsin-khong-kuán Lo̍k-im-ki

真空管錄音機 * Vacuum Tube Recorder

張東瀛

2025-03-13

電腦合成台語語音(Version 5700R)



Tsin-khong-kuán Lo̍k-im-ki

It-kiú lio̍k-pat-nî, Guá tī Tâi-pak-Kang-tsuan tha̍k-tsheh, hit-tang-tsūn iōng la̍k-pah-khoo bé tsi̍t tâi lī-tshiú ê Sóng-nì 902 gōo tshùn puânn-sik tsin-khong-kuán lo̍k-im-ki. king-kuè gōo-tsa̍p-guā tang, hiān-tsāi á koh ē-tàng pàng-tshut tong-nî ê lo̍k-im. Lī-tsa̍p-guā tang-tsîng, in-uī guā-siunn phuê-tsuá ū-tsi̍t-sut-á lak-tshat, Guá tîng kā iû-tshat tsi̍t piàn, khuànn--khì-lâi tō ke tsin hó-khuànn.

Guá teh ioh, tsiàn-āu bô-luā-kú sing-sán ê tsin-khong-kuán lo̍k-im-ki, sòo-liōng ìng-kai bô-juā-tsē. It-kiú kiú-lio̍k-nî, hut-jiân siūnn beh siá-phue hōo Ji̍p-pún Song-nì kong-si, mn̄g khuànn In sī-m̄-sī iàu koh ū pó-liû tshau-tsok tshiú tsheh. Siūnn bē kàu Song-nì kong-si m̄-niā kià lâi Sóng-nì 902 tshau-tsok tshiú tsheh, suànn-lōo tôo, iá koh hù tsiūnn li̍k-nî lâi sing-sán ê kok-tsióng lo̍k-im-ki hîng-lo̍k.

Jī-tsa̍p sè-kí Ji̍p-pún tsè-tsō ê sán-phín ū tsiann-hó ê hong-phîng. Sóng-nì kong-si tuì sú-iōng-tsiá ê ho̍k-bū thài-tōo tō ē-tàng khuànn--tshut-lâi. Tíng kuí-ji̍t-á, uī-tio̍h beh the̍h-tshut la̍k ê tuā tiong sió ê khi̍p-thih, Guá iōng sann-tiám-tsing ê sî-kan tsiōng Phái-oo-ni-òo ê lap-pà thiah--khui, iū-koh khuànn tio̍h jī-tsa̍p sè-kí Ji̍p-pún kang-gē ki-su̍t ê tsuí-tsún. Tâi-uân lāu-tsi̍t-puè sai-hū hâm ki-su, juā-tsuē iā thuân-sîng tsit tsióng kha ta̍h-si̍t-tē, hui-siông tíng-tsin ê Ji̍p-pún-tsing-sîn, khó-sioh, í-king tsiām-tsiām si̍t--khì-ah.

Vacuum Tube Recorder

In 1968, when I was studying at the Taipei Institute of Technology, I bought a second-hand Sony 902 five-inch disc-type vacuum tube recorder for 600 yuan. For over fifty years, Recordings from that year are still available. More than 20 years ago, because the patent paper on the outer box peeled off a bit, I repainted it with paint, and it Looks more beautiful.

I suspect that the number of vacuum tube tape recorders produced shortly after the war would not be many. In 1996, it suddenly occurred to me to write a letter to Sony company in Japan and ask if they still have the operating manual. Unexpectedly, Sony company not only sent Sony 902 operation manual, the circuit diagram is also attached to the catalog of various tape recorders produced over the years.

Products made in Japan in the twentieth century have a good reputation. The clue can also be seen from Sony's service attitude towards users. A few days ago, in order to take out six large, medium and small magnets, it tooks me three hours to disassemble two Pioneer oval horns, and once again I saw the beauty of Japanese craftsmanship in the 20th century. The older generation of craftsmen and technicians in Taiwan have also inherited this pragmatic and meticulous Japanese spirit to some extent. Unfortunately, it has gradually withered away.

真空管錄音機

一九六八年，我在台北工專讀書，當時花六百塊錢購買一台二手的 Sony 902 五吋盤式真空管錄音機。經過五十多年， 現在還能放出當年的錄音。二十多年前，因為外箱漆皮紙有點剝落，我用油漆重新塗裝，看起來比較漂亮。

我猜想戰後不久生產的真空管錄音機，數量應該不會很多。 一九九六年，突然想起寫信給日本Sony公司，詢問他們是否仍然保有操作手冊。 沒想到Sony 公司不僅寄來Sony 902操作手冊、 線路圖，還附上歷年來生產各種錄音機型錄。

二十世紀日本製造的產品有很好的口碑。從Sony 公司對使用者的服務態度也能看出端倪。 前幾天，為了取出六個大中小磁鐵，花了三小時拆卸兩個 Pioneer 橢圓形喇叭，又再次見識了二十世紀日本的工藝技術之美。 台灣老一輩的工匠和技師，多少也傳承這種實事求是，一絲不苟的日本精神，可惜的是，已經逐漸凋零。


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