Siau-pang ê Iā-khik 蕭邦的夜曲

張東瀛

2025-03-15

電腦合成台語語音(Version 5700R)


Nocturne op. 9 no. 1 in B flat minor (First melody fragment only)
Composer: F. Chopin
Piano performance: Jong-Teh Lin
Computer synthesized music: Tung-Ying Chang

Siau-pang ê Iā-khik

Kàng-B sió-tiāu tē-it-hō iā-khik sī Siau-pang tī 1830 nî kàu 1832 nî tshòng-tsok ê tsi̍t tsoo tsok-phín, lóng-tsóng ū sann siú. 1833 nî tshut-pán, hiàn hōo kǹg-khîm-ka Kho-mì-oo Phu-lé-òo. Tsit siú iā-khik ā-sī Lîm îng-tik phok-sū siōng-ì-ài ê ga̍k-khik tsi-it. I tī Tik-kok liû-ha̍k ê kî-kan, ū tsi̍t tsām hâm I ê lú-pîng-iú tsò-hué him-sióng tsit siú hōo I lân-bōng ê im-ga̍k, 1998 nî guá tshiánn I tuânn tsit siú iā-khik. Hit-tsām ū sió-khuá tiòng-hong ê tsìng-tsōng, tsíng-thâu-á bô kài ua̍h-khuì. Lo̍k-iánn sann piàn lóng bô-huat-tōo sūn-lī uân-sîng. Suah-bué guá tsiōng tē-it tsú suân-lu̍t iōng tiān-náu ha̍p-sîng liáu-āu, khǹg-tī "Lîm Îng-tik Im-ga̍k Gē-su̍t Tsuan-tship" lāi-té tsò puē-kíng im-ga̍k.

Lîm Îng-tik phok-sū tuânn kǹg-khîm ê sî tiānn-tiānn tsù-ji̍p tsin tsē ê kám-tsîng lâi piáu-hiān Siau-pang ê tsok-phín. Guá bat tī lo̍k-im-sik thiann I tuânn tsit siú iā-khik, Guá kám-kak hâm Lú-bīn-sū-tìn ê ián-tsàu Pí-phīng--khì-lâi, ke tsi̍t hūn tsin kāu koh hōo lâng kám-tōng ê guân-sòo. Lîm Îng-tik jīm-uî ga̍k-phóo tsiann-pháinn uân-tsíng tián-hiān tsok-khik-tsiá iù-siù ê sim-su kap tshòng-tsok puē-kíng. Ián-tsàu-tsiá tû-liáu ài hùn-liān tuânn-khîm ê kî-khá í-guā, koh khah tiōng-iàu ê sī tsiōng kám-tsîng thàu-kuè kǹg-khîm tâu-siā--tshut-lâi, tsiah-ē-tàng hâm tsok-khik-tsiá kap thiann-tsiòng sán-sing kiōng-bîng.

Vacuum Tube Recorder

Nocturne Op. 9 is a set of three nocturnes composed by Chopin from 1830 to 1832. Published in 1833 and dedicated to pianist Camille Pleyel. This nocturne is also one of Dr. Lin's favorite pieces. There was a time when he was studying in Germany and he shared this unforgettable piece of music with his girlfriend. In 1998, I asked him to play this nocturne. By then he had symptoms of a small stroke, his fingers are not very flexible, and I couldn't complete the video recording three times. Finally, I synthesized the first main melody fragment with a computer and placed it as background music in Jong-Teh Lin's Music & Art CD.

Dr. Lin often injects a lot of emotion into interpreting Chopin's works when playing the piano. I once heard him play this nocturne in the recording studio. Personally, I felt that compared with Rubinstein's performance (https://www.youtube.com/watch?app=desktop&v=ZtIW2r1EalM&t=4m4s), it was a bit more enjoyable. Rich and touching elements. Dr. Lin believes that it is difficult for music scores to fully reflect the composer's delicate thoughts and creative background. In addition to being skilled in piano skills, it is more important for a performer to project his emotions through his piano skills so that he can resonate with the composer and the audience.

蕭邦的夜曲

夜曲Op. 9是蕭邦於1830至1832年創作的一組作品，一共三首。1833年出版，獻給鋼琴家 Camille Pleyel。這首夜曲也是林榮德博士最喜愛的樂曲之一。他在留學德國期間曾經有一段時光，和女友共享這首讓他難以忘懷的音樂。1998年我請他彈奏這首夜曲，那時他已有小中風的症狀，手指不太靈活，錄影三次都無法順利完成。最後我把第一主旋律片段用電腦合成後，放在林榮德音樂藝術專輯裡面作為背景音樂。

林榮德博士彈奏鋼琴時經常注入很多的感情來闡釋蕭邦的作品。我曾經在錄音室聽他彈奏這首夜曲。個人感覺和Rubinstein的演奏(https://www.youtube.com/watch?app=desktop&v=ZtIW2r1EalM&t=4m4s)相較之下，更多了一分渾厚而讓人感動的元素。林榮德認為，樂譜很難完整展現作曲者細膩的心思與創作背景。演奏者除了嫻熟琴技之外，更重要的是讓情感藉著琴技投射出來，才能和作曲者與聽眾產生共鳴。

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